Travel - 10" x 15" Two-Fold Pressure Pad
artist demonstrates lily p4d travel pad with pedal board and pedal power
Travel pad ducking mat on top of arena pad ducking mat
Travel Pad front in beige or tan vinyl and back in black vinyl
Lily Pad Pedal layout
Lily Pad pedal connections
lily p4d mic ducking pedal on arena size pressure activated mat
guitarist and vocalist demonstrates pad  controlled ducking
Arena two fold pressure pad front and back in black
Arena Pad folds in half to 24 inches by 18 inches
Arena Pad logo and cable
9v DC power supply center negative
Travel - 10" x 15" Two-Fold Pressure Pad
Travel - 10" x 15" Two-Fold Pressure Pad
Travel - 10" x 15" Two-Fold Pressure Pad

LILY P4D® Travel System BEST SELLER

Regular price $299.99 Sale price$249.99 Save $50.00
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LILY P4D is a pressure-activated mic ducking system that sits at the base of your microphone. Step on the pad to open the mic, and step off to automatically reduce mic bleed with adjustable ducking from heavy to light. It comes in two sizes. Travel pad (10" x 15") is compact and the Arena pad (24" x 36") is the bigger size . See the size comparison picture. Built with durable, road-tested vinyl, it’s perfect for touring musicians. Easily integrates with your pedal board using 9V power or the included supply. The true bypass footswitch allows an artist or engineer to bypass ducking when needed.

Shipping:

Select Ground, 2-day, and Overnight shipping at checkout. Need it faster? Email us at Support@LilyP4D.com and one of our sales team members will assist you with your order.

Returns Policy:

Items can be returned within 30 days by submitting a RMA (Return Merchandise Agreement) request. Simply email Support@LilyP4D.com and enter "Return" in the subject line. Items must be in like new condition without signs of wear and tear. A $40 restocking fee applies to any orders returned without a RMA.

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★★★★★

"The Lily P4D is a game changer. As a vocalist using in-ear monitors, it’s given me the clarity and control I need to perform at my best. It’s now an essential part of my stage rig, and I highly recommend it to any singer."

Electric Guitarist Brendan Bayliss holds a rock pose while performing under concert lights
Umphrey's McGee
Brendan Bayliss, Lead Vocals / Guitar
★★★★★

"A FOH mixer colleague introduced me to the LILY P4D, and it brilliantly reduced guitar amp sound bleed without needing to chase faders. It’s been on our stage ever since."

Front of house engineer Kevin Madigan mixes the sound for Carlos Santana
Santana
Kevin Madigan, FOH Engineer
★★★★★

"Your LILY P4D is saving my mix tonight at The Gorge. Thanks again."

artistic drawing of sturgill simpson
Sturgill Simpson
Chris Mitchell, FOH Engineer
★★★★★

"I love the Lily P4D for its reliability and noise reduction on stage. It’s drastically improved our show, both for FOH and monitor mixes. Highly recommend!"

headshot of Molly Tuttle front of house engineer Ethan Standard
Molly Tuttle
Ethan Standard, FOH Engineer
★★★★★

"With the Lily P4D, my mic stays off until I step on it, keeping my in-ear mix clean. It’s compact, fits by my pedalboard, and unlike other gates, it doesn’t cut out with head movement or lighting. The Lily P4D gives me full control."

The Infamous Stringdusters
Andy Hall, Dobro/Vocals
★★★★★

“LILY P4D is an absolute game changer. If you’re using any sort of Optogate or switches for your mics, go ahead and sell them. LILY P4D is so easy, so smooth... it's just absolutely perfect.”

Brantley Gilbert
Spencer Waasdorp, Guitarist/Vocalis
★★★★★

"The Lily PAD has been rock solid on our Banjo and Mandolin vocal mics, keeping my IEM mixes tight and controlled, even in challenging rooms."

Billy Strings
Charlie Bryson Monitor Engineer - Billy Failing, Banjo
★★★★★

"After Chuck Garvey's stroke, his hearing sensitivity made mic bleed a problem. The LILY P4D’s smooth ducking solved this, making the stage comfortable for both artist and engineer. It's been a game-changer!"

moe.
Frank Hopkins, Monitor Engineer
★★★★★

"The Lily P4D is essential to making the live vocoder in our show possible for me at FOH. Not only does it work flawlessly every time, but the artist loves how easy is it to use."

Said The Sky
Cameron Scurek, FOH Engineer/Crew Chief

Success Stories

Sturgill Simpson

In a detailed Rig Rundown during the Johnny Blue Skies Tour, Grammy Award-winning artist Sturgill Simpson showcased his pedalboard and highlighted the LILY P4D. Sturgill Simpson shared insights into how the LILY P4D is essential in achieving clear and controlled live sound settings, explaining its critical role in managing microphone dynamics. This ensures his stage sound remains pristine and perfectly blends vocals and instruments. Chris Mitchell, Simpson's Front of House engineer said, "The LILY P4D is saving my mix tonight at The Gorge. Thanks again."

latin artist carlos santana plays maracas into microphone connected to lily p4d ducking system

Santana

Santana, legendary Latin rock pioneer with billions of streams and multi-Grammy Award-winning artist, has shaped the music world with iconic albums like Abraxas and Supernatural. Known for his innovative sound, Santana's live performances benefit from cutting-edge tools like the LILY P4D. As his FOH engineer Kevin Madigan shares, “The LILY P4D brilliantly reduces guitar amp sound bleed without needing to chase faders. It’s been a permanent fixture on our stage ever since.”

Engineer Ethan Standard hides Molly Tuttles arena pad under the rug

Molly Tuttle

Molly Tuttle, a Grammy Award-winning bluegrass artist and the first woman to win Guitar Player of the Year at the IBMA, continues to shape the future of roots music with her band Golden Highway. Known for her innovative sound and instrumental mastery, Tuttle’s live performances have reached new levels of clarity and precision thanks to the LILY P4D. As her engineer states, “I love using the LILY P4D for its reliability and ability to reduce excess noise on stage, cleaning up both Front of House and Monitor mixes. It’s improved our shows by leaps and bounds.”

FAQs

The LILY P4D is a pressure-sensitive microphone ducking tool that reduces unwanted stage noise. When you step on the pad, the mic activates, and when you step off, it lowers the volume, offering clean, hands-free sound control for live performances.

Yes, the LILY P4D works seamlessly with dynamic, condenser, and even ribbon microphones. It integrates effortlessly into any setup, making it an ideal choice for front-of-house engineers and stage monitoring. See gain reduction levels here.

The LILY P4D helps create clearer live audio by eliminating mic bleed and controlling unwanted noise. Its pressure-activated mechanism ensures the microphone only picks up sound when needed, giving you a cleaner, more polished mix.

Unlike traditional gates that rely on sound or infrared signals, the LILY P4D uses pressure activation, providing more accurate control. It won’t misfire due to lighting changes or stage movements, ensuring reliable mic control during performances.

Yes, the LILY P4D is built to withstand the wear and tear of touring. It’s road-tested for durability, ensuring reliable performance across countless live shows.

Yes, the LILY P4D can be powered directly from your pedalboard’s 9V supply, making it a convenient addition to any setup without requiring additional power sources.

The LILY P4D gives audio engineers more precise control over live sound by reducing unwanted noise and mic bleed. It offers consistent performance with customizable ducking levels, making it ideal for live stage environments.